On October 4, I will be presenting at the 3rd Annual Workshop on Musical Metacreation. I will be presenting a paper on the ways that AI practitioners have used ad hoc methods in algorithmic music programs, and what that means for the field of computational creativity. The paper is titled Implications of Ad Hoc Artificial Intelligence in Music Composition.
This paper is an examination of several well-known applications of artificial intelligence in music generation. The algorithms in EMI, GenJam, WolframTones, and Swarm Music are examined in pursuit of ad hoc modifications. Based on these programs, it is clear that ad hoc modifications occur in most algorithmic music programs. We must keep this in mind when generalizing about computational creativity based on these programs. Ad hoc algorithms model a specific task, rather than a general creative algorithm. The musical metacreation discourse could benefit from the skepticism of the procedural content practitioners at AIIDE.
The workshop is taking place on the North Carolina State University campus in Raleigh, NC. Other presenters include Andie Sigler, Tom Stoll, Arne Eigenfeldt, and fellow NIU alumnus Tony Reimer.