This fall Signal Culture will publish the Signal Culture Cookbook containing a chapter called The Mapping Problem: Swarm Intelligence in Music that I wrote earlier this year. The chapter deals with all the potential problems that artists must deal with when using swarm intelligence in music, and shares shource code for several interesting mappings that I’ve used in the past.
I really enjoyed working with Brandon Buczek on the score for the newest episode of Office Problems.
Published in Hz Journal #18.
In this essay I am going to review the topic of creativity in algorithmic music , focusing on three perspectives on creativity offered by three groups of composers. The first section will review the definition of creativity offered by computational psychologist Margaret Boden. The second section will examine one possible measure of creativity. The next section will look at three different composers, their attitudes toward creativity and the way their algorithms embody those attitudes. Finally, I will critically examine the core questions that are being asked by algorithmic
Music composed by Evan X. Merz. Sculpture and Stage by Sudhu Tewari. Movement by Nuria Bowart and Shira Yaziv.
When I saw J. Dearden Holmes’ 3D pictures from the 1920s presented as animated gifs, I was struck by the incongruity between the images and their presentation. These were photographs shot in the 1920s that were meant to be viewed on a stereoscope. Yet they were being presented online as animated gifs, a format that didn’t come into existence until the 1990s. This incongruity inspired me to write incongruous music. So I embedded multiple incongruities in the music: incongruities between the music and itself, as well as incongruities between the music and the images.
Search by Image is being played at Currents Sante Fe this month.